
|
THE SORROW OF SARAJEVO
Goran Simic and David Harsent, Limited edition
250 copies. (Only a few copies left.) ISBN 1 899980 01 6 paper
£6.00 254 x 160 24 pp
Images by Robert McNab
David Harsent's vivid English rendering
of Simic's haunting siege poems. Eight poems written during the
siege of Sarajevo, sometimes beautiful, often harrowing, an impressive
witness to horrific events. Two of the poems formed part of the
libretto for Nigel Osborne's opera, Sarajevo,
which had its premiere at the Royal Festival Hall, London in1994.
'The
National Library burned for three days last August
and the city was choked with black snow.
Set free from the stack,
characters wandered the streets,
mingling with passers-by and the souls of dead soldiers.
I saw Werther sitting
on the ruined graveyard fence; I saw Quasimodo
swinging one-handed from a minaret.'
Lament
for Vijecnica
'Sarajevo,
January, 1993.
My friend put
his wife and children on the bus
to God-knows-where,
and wrote on
the frozen window, I am with you.
After that moment
he wrote no more ...'
A Common Story
|
|
|
ANOTHER ROUND AT THE PILLARS
Essays, poems, & reflections on
Ian Hamilton.
Editor: David Harsent. Limited
Edition. ISBN 1 899980 06 7, hardback special discount price:
£18.50, (reduced from £25.00) 240x160. 160 pp
The result is an unrivalled portrait of
literary London for the last thirty years, a Who's Who? of Britain's
best poets, novelists, and playwrights resulting in a unique document
filled with wit and humour: a fine catalogue of literary triumphs
and feuds. . . a must.
CONTRIBUTORS: A Alvarez, Julian
Barnes, Peter Dale, Douglas Dunn, Colin Falck, Michael Fried,
John Fuller, Simon Gray, Dan Jacobson, Clive James, Alan
Jenkins, Ian McEwan, Karl Miller, Blake Morrison, Andrew Motion,
Charles Osborne, Harold Pinter, Peter Porter, Craig Raine, Christopher
Reid, Hugo Williams.
'Ian was the Gaffer, someone whose presence
and example makes you write as well as you are able.' Julian
Barnes.
'Ian has shown us a way forward from our
crisis with a poetry not of posturing or verbal cleverness, but
of a quiet and reverential humility before the real.'
Colin Falck.
'What he managed, probably without meaning
to, was to create a milieu. Writers gathered around The New Review
because they respected his ideas of quality.' Ian
McEwan.
'I read his poems at various public gatherings
and was struck always by the audience's stilled response to a
poetry which was at one and the same time so delicate and so full
of sinew.' Harold Pinter .
|